Delivery is where a browser studio usually falls apart. Here the media pool, the timeline and the presets are one system: pick the destinations once, queue the renders and download masters that already match each platform.
Clips, bins, metadata, timelines and versions live in one pool per project. The Cut, Edit, Colour, Fusion and Fairlight pages never copy media, they reference the same source files.
Each platform wants its own container, bitrate, colour tags and audio layout. Save that knowledge as presets and the render becomes a checkbox list instead of a spreadsheet.
Add the destinations to the queue, watch the progress per job and get notified when each file is ready. Credits are only spent on the renders you actually start.
A delivery is finished when someone else can pick it up. Files carry their colour and loudness metadata, and a project archive keeps the timeline, the grade and the mix together.
The presets that ship with the browser studio, and what they are for.
Deliver page questions that come up before a first render.
It is the project library: every clip, bin, timeline and version in one place, shared by all of the pages so no step in the workflow needs its own copy of the media.
Yes. Each render, proxy generation and heavy effects pass draws on the monthly credit allowance included in your plan. Credits refresh each billing period.
Queue as many presets as the job needs and they render in order. Higher plans get priority in the render queue for long form and broadcast work.
Every finished job can be downloaded from the queue, and the presets keep the names and folder structure you set for each destination.
Project archives keep the media pool, timeline, grade, Fusion graphs and audio mix together so a job can be reopened or moved to the desktop studio later.
The studio is one project with several pages. These are the pages that usually come before and after this one.
Open the studio, pick the destinations and let the queue produce every deliverable from one timeline.
